36 Stowaways

36 Stowaways

Stowaways continues the story of Jack and Jill, first introduced in essay 25, Jack and Jill. They are rascals by nature, quietly observant, always alert to opportunity. In this painting, they have found themselves at a passenger wharf, poised on the edge of a journey...
34 Different Paths

34 Different Paths

Like sliding doors, life offers us different paths. Some lead to growth and fulfilment, others to endurance and routine. Often, the choice is not dramatic or announced; it arrives quietly, disguised as habit, necessity, or the simple act of showing up early for work....
32 A New Day

32 A New Day

The dress stands upright before anything else stirs. It has no body, yet it holds the memory of one. A mannequin is an absence made useful, a placeholder for attention, and here it supports the final shape of a thought. The seamstress has stepped back. The work is...
61 Moon Patrol

61 Moon Patrol

    Moon Patrol is one of those paintings where the subject arrives already loaded with history, noise, and ambition. The toy at its centre is an outstanding example of one of the most sought-after comic space toys of the twentieth century: the 1935 Marx Buck Rogers...
31 Fetch

31 Fetch

Fetch introduces a new subject into my work rather than a turning point in direction. On the surface, it presents a simple scene: a dog sitting patiently on the pavement, looking up at a framed image of a tennis ball suspended against a blue sky, with a single cloud...

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