Follow Me is the largest painting I have made to date. A triptych, each panel measuring 125 cm high by 95 cm wide, it demanded more space, more patience, and more belief than any work before it. Painted in a small studio, the practical challenge was immediate. I could...
Arrival is a painting about return, but not resolution. It brings back two familiar characters from Travelling Companions (#12), now older, quieter, and standing in winter rather than the warm expectancy of their first departure. Time has passed. Six years separate...
The Technofix tinplate motorcycle is frozen in motion, its rider crouched low, eyes fixed on a destination we cannot see. This is Red Racer, a machine built for speed, yet here it moves through a quiet, imagined landscape where sound is absent and time has slowed. The...
They stand tall and still, their vast grey frames etched against the Auckland sky, monumental and precise. These cranes dominate the waterfront, their scale undeniable, their presence constant. Painted in cool industrial greys, they catch the last light of the day as...
Pride sits comfortably at the front of the seven deadly sins, polished and self-assured, convinced it deserves the lead role. In this painting, Pride is not loud or aggressive; it is quiet, manicured, and carefully maintained. It lives behind a low fence, in straight...
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