Arrival is a painting about return, but not resolution. It brings back two familiar characters from Travelling Companions (#12), now older, quieter, and standing in winter rather than the warm expectancy of their first departure. Time has passed. Six years separate...
The Technofix tinplate motorcycle is frozen in motion, its rider crouched low, eyes fixed on a destination we cannot see. This is Red Racer, a machine built for speed, yet here it moves through a quiet, imagined landscape where sound is absent and time has slowed. The...
They stand tall and still, their vast grey frames etched against the Auckland sky, monumental and precise. These cranes dominate the waterfront, their scale undeniable, their presence constant. Painted in cool industrial greys, they catch the last light of the day as...
Pride sits comfortably at the front of the seven deadly sins, polished and self-assured, convinced it deserves the lead role. In this painting, Pride is not loud or aggressive; it is quiet, manicured, and carefully maintained. It lives behind a low fence, in straight...
Stowaways continues the story of Jack and Jill, first introduced in essay 25, Jack and Jill. They are rascals by nature, quietly observant, always alert to opportunity. In this painting, they have found themselves at a passenger wharf, poised on the edge of a journey...
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